Sunday, July 28, 2019

Essay on colour in the sets and costumes of Leon Bakst

On colour in the sets and costumes of Leon Bakst - Essay Example equired, and only by experiment could the original intention of those who conceived and organized the theatre – the intention of establishing a real emotional and utilitarian relationship between the theatre and the mass of people be realized.† (Carter, 1929, p. 3)   During this period, in Russia the traditional idea of art did not receive much appreciation from the general public. Intellectuals and the rest of the public started to believe that art actually had a certain purpose in order to educate people and expose the actual facts of the society. The mode of writing dramas, use of symbolism and setting of drama, including costumes as well as use of colors also changed in a rapid way compared to the past and at the same time the world of theatre was greatly influenced by the aesthetics of East, deriving different aspects from Oriental Art to initiate a new tradition, â€Å"It brought together the art of stage scenery, the design of sets, costumes and props, the musi c of song and instrumental pit, the architecture of both the building in which the performance took place and the fantasy world portrayed beyond the proscenium arch , and the text and characterization of the play.† (MacKenzie, 1995, p. 176) In Western tradition of Art, East has always been considered the land of perfection and idealism for its â€Å"mysturiours† oriental arts and idyllic landscapes with scenes that the west did not have. During the time period of 1905-1915 Russian theatre and ballet emerged as main sources of inspiration for the West as well as performing arts. Paris, in the global context, used to be considered as the center of artistic culture and creativity. â€Å"The Russian Ballet with productions that achieved ‘art’ status, was a breakthrough making the line between culture, set and stage design collapse. It became one of the leading ballet companies of the twentieth century.† (Mayer) The summer of 1909, Paris witnessed the emergence of a great master, Leon Bakst, who

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